CARLA �HLANDER, D/S
She mainly works with photographic images, but also develops site specific work, as well as action-based works. In her latest works she combines photographs to create a new, third visual notion and also creates narratives by reorganising images.

CHARLES ERRINGTON, UK
His practice is broad - video, installation, performance, photography, computers all feature, but sculpture is the core discipline. He's drawnto ubiquitous, urban stuff - the kinds of materials with which many people already have a direct, functional relationship. His aim is to construct active, participatory channels of engagement. The objects he makes are often temporary; sometimes they are inert until activated in performance. Then they exist on stage - to be assembled, rearranged, destroyed - in the public arena.

ADRIAN FISHER, UK
Is concerned with intensities in spaces, both acoustic and visual, the absurd and magic. These take form through live-art(often with other performers including musicians and dancers), installations, sounds and video. The process is organic and explores characters, objects, mental states, rhythms and their relation to bodies, places, moments, poetries. The work attempts a layered, contradictory movement, dissolving appearances, seducing the unpredictable, de-centered experience.

SIMON HAEFELE, A
Webdesigner involved in multimedia projects. He supplies the networking expertise for the DSM_Remote Music Tool [RMT]. DJ as well.

HEIMO LATTNER, A/USA
His work may be classified somewhere between sculptural articulation and complex environments. He performs a balancing act on the dividing line between art, entertainment and subculture. He designs units to live in, and travels with his ever-growing 'village in a box'. http://www.thing.at/orfkunstradio/ao3

LAERKE LAUTA, DK
Works with a number of different mediums: installation, drawing/collage, sound, video and film as well as script writing. She often combines the different media to a collage of fragments that suggest a narrative, "a scene". The work has elements that draws a line from fashion to design and scenography.

OLIVER MAKLOTT, A
Studies computer music & new media at the University of Music and Performing Art,Vienna, and is student at ELAK - Institute of Electroacousitcs. He is programming synthesizers. He created the interface for the DSM_Remote Music Tool [RMT] and is heavily involved in composing electo-acoustic music.

ROBERT PINZOLITS, A
Studied computer music & new media at the University of Music and Performing Art, Vienna, presently student at ELAK - Institute of Electroacoustics, Vienna. He initiated the concept for the DSM_Remote Music Tool. Several collaborations with local artists, e.g. Hans Joachim Roedelius.

ELLA RAIDEL, A/D
Is a video artist, discovering social relationships in which both intimacy and the opposite urge to exhibit oneself are regarded as a parallel phenomena. The question 'who is observing whom and who is the voyeur?' is stylised into a mystifying process of playing with standardised modes of vision and thought.

LUNA ROJAS, UK/RCH
Her work often generates a social space of celebration, a place of interaction in which some ritualised activities are performed by the group that has developed it. She is interested in the 'absent', the mind amnesia, the loss of public consciousness, limbs in dance and the fragmented. Sometimes her work is a homage devised for some dead artist and their work.

©Inhabit/JANINE&LEIF ROSTRON-LIEBENSCHUETZ, UK/D
Are working as an artist pair from London and Berlin. They see their artistic work as an attempt to voice a radical position of cultural production, which seeks neither an essence nor an existence within a common identity, but can in this sense be only pure exposure.

ADRIAN SCHIESSER, UK/D
His work engages with the ever increasing formation of structures and processes imposed upon the social dynamic of contemporary life. Ripped out of their Ônon-place1 context and formally reshuffled the structures and processes are broken loose from their original, singular meaning, resulting in a possible new approach for the individual.

GERNOT WIELAND, A/D
The vulnerable, sometimes tragic-comical individual of the nineties looking for his own identity has often been the subject matter of his work. Following this line of work, he uses video, photography and installation as media.

///GUESTS///

RICHARD CROW, UK AM
master technician of the art of the abject and the emotive fragment. He has developed an uncanny practice located somewhere between contemporary performance and installation, often working in non-gallery based locations. http://www.elision.org.au/collaborators/crow.html http://www.elision.org.au/opening/index.html http://www.elision.org.au/opening/installation.html http://www.elision.org.au/opening/scherben.html http://va.com.au/ensemble/tableau/michael/index2.html http://165.229.203.98/goal/goal9.html http://www.tool.net/zidsic/crow.html http://www.thing.at/orfkunstradio/ao3

RUTHARD MIKSCH, A/USA
He focuses on three dimensional, kinetic objects and installations. His projects with hydraulic and pneumatic elements deal with adaptation to an ever changing environment, through the use of contained pressure and circulation.

ANNETTE WORKS, UK
http://www.stalk.net/annetteworks http://www.thing.at/orfkunstradio/ao3

///REMOTE CONTRIBUTOR///

DANIELA SWAROWSKY, A/USA/NL
has a broad background in producing, curating and conceiving visual- and music-related projects. Especially interested in process-oriented work, as well as old and new media. Always in reflection of the present culture in an attempt to bridge the past with the future. Long-time co-conspirator and co-traveller of Heimo Lattner. http://www.thing.at/orfkunstradio/ao3 http://www.v2.nl/deaf